CLASSIC Cassette Deck

SONY TC-177SD (Japan 1973)

The SONY TC-177SD (TC-6150SD in Japan) was introduced in 1973 and it was the first 3 head cassette deck from Sony and probably a world first too. Assuring extraordinary sound quality are a ferrite erase head and Ferrite & Ferrite Record and Playback heads. F&F heads give excellent tape-to-head contact and wide frequency response, in addition to lasting up to 200 times longer than the standard permalloy variety. Adding to the excellent performance characteristics is the Closed-Loop Dual Capstan Tape Drive, which severely cuts down tape skewing, modulation distortion and wow and flutter. Being a product of the 70's the deck also had "surround compatibility" Through Symphase Recording, you can record 4-channel sound from an SQ or FM matrix source, and play it back through four speakers and an amplifier equipped with a 4-channel decoder. And the solenoid assited transport functions provide stable, fast and easy mode changes. Separate bias and tape select switches let you take the advantage of normal, chrome or ferri-chrome tapes. During its production years there were available two versions. The initial models had no azimuth control but later in production this was also added. With only ane large motor the rewind and fast forward time was 90sec./C-60. Frequency response is 20 Hz to 20 kHz with both FeCr and CrO2 tapes.

Technics RS-279US (1973)

Introduced in 1970 the Technics RS-275U was the World's First cassette deck to employ the Direct-Drive system developed for turntables. Based on this 2 motor solenoid controlled mechanism with Direct Drive capstan and DC motor for the reel-table-drive, Technics introduced it's first 3 Head cassette deck, the RS-279US in 1973. Being an early 3 head cassette deck the head arrangement is slightly different than the standard arrangement later used by 3 head models. The erase head is a full size head followed by a recording/playback head (as in 2 head arrangements). The third head is a monitoring head (small window) located between the recording/playback head and pinch roller. Both the recording/playback and monitoring head use the HPF (high pressure ferrite) head with 10 year guaranty developped by Technics. Another unusual feature of the deck was the Dolby noise reduction with adjustable level. (L and R channel independently adjustable). Frequency response is 20-16000 Hz with normal tape and 20-18000 Hz with Chrome tape ... while externally it measures 440x115x325 mm. The deck can be remote controlled via the RP-9275 wired remote and for transportation the RP-985 solid carry case was sold as accessory. The deck was sold under National Panasonic | Technics by Panasonic | Technics with a National logo | or simply Technics, brand names, while the remote control was a National Panasonic branded model.

AKAI GXC-570D (Japan 1978)

This prestige tape deck was designed for the ultimate in convenience and recording and playback quality. The GXC-570D employs Akai's renown wear-free GX recording and playback heads. The recording and playback heads are mounted in a single head holder. This arrangement provides perfect parallelism of recording and playback head gaps. The GXC-570D also features a unique 3-motor mechanism as well. The capstan motor is a C.P.G. (center pole frequency generated) type AC servo motor used in a closed loop dual capstan drive system while for reel drive the GXC-570D emplys two Direct Drive DC motors. Other features include: 3-way (Normal-Chrome-FeCr) tape selector switch sets the machine to ideal bias and equalization according to the tape being used. Fast forward and rewind speed control. Pitch control for playback. Double process Dolby NR. A calibration tone switch activates a built-in oscillator to supply a 400 Hz recording signal for recording calibration adjustment. This feature is especially convenient and effective when making a Dolby recording. AKAI's built-in A.D.R.(automatic distortion reduction) System not only automatically adjusts the recording equalization at high frequencies, but also suppresses intermodulation distortion for clear sound over the entire frequency band. Peak-VU meter indication switch. When set to VU Meter position, the meters indicate normal VU recording and playback levels and when set to Peak Meter position, the meters are set for professional quick response peak level indication to utilize the full dynamic range of the tape without incurring distortion. Independent Mic and Line input jacks and controls facilitate easy sound mixing from separate sources. Akai's exclusive "Sensi-touch" control system allows you to go from one mode to another without ever pushing a button. You just touch them lightly. The GXC-570D features a push-button Door Opener which activates an independent motor to open or close the smoked acryl door which covers the upper front panel controls. Technical data: Wow and Flutter less than 0.06% WRMS (0.17 DIN) | Frequency response 30 Hz to 15,000/16,000/19,000 Hz (=/-3 dB Normal/Chrome/FeCr) | Dimensions 440x255x225 mm | Weight: 13.5 kg. Optional accesory: RC-17 or RC-18 wired full function remote control.

eumig FL-1000 (Austria 1979)

This is a cassette deck introduced in 1979 by an austrian company who's best known for their film camera products, eumig (Elektrizitats Und Metallwaren Industrie Gesellschaft mbH. in Wien) Exellence both in engineering and styling combine in the Eumig FL-1000 to create a cassette deck with unexcelled performance, versatility, and elegance. The front-loading, microprocessor-controlled tape transport featureas Eumig's exclusive opto-electronic servo system and a sophisticated 3-head esign that lets you monitor directly from tape as it is recorded. Built-in test facilities permit optimizing performance for every tape type and brand, including the new metal-alloy formulations. Eumig innovation developed the opto-electronic capstan servo-control system used in the FL-1000. Traditional flywheels respond slowly and may induce rumble. The lightweight Eumig disc, with its 2500 precisely-spaced, photo-etched radii, on the other hand, produces 15,000 pulses per second as the capstan rotates. By comparin the counted pulse-rate against a fixed refernce, instantaneous speed-correction signals can be applied to the capstan within microseconds, helping lower the wow and flutter to a mere 0.035% WRMS.

The FL-1000 incorporates not only the usual 3-position "bias/equalization" switch but also a built-in Computest facility that provides individual adjustments for sensitivity and bias for cassettes of each type. When the Computest switch is engaged, normal machine inputs are bypassed, and the letter "t" appears on the digital readout. A 400Hz test tone is used to set sensitivity for proper Dolby level, and a combined 400/14,000Hz tone permits bias adjustment for a flat frequency response across the entire audio range. Both test positions use a Balance Scope, consisting of two LEDs which flash equally and alternately when the correct setting is achieved. Unique among audio components, the Eumig FL-1000 cassette deck can be directly interfaced with almost all 8-bit computer systems (1979), such as the Commodore "Pet", Apple II, Radio Shack, etc. With the multi-machine control program, up to 16 FL-1000's can be individually controlled, simultaneously or sequentially, for any mode and any section of any tape. You can control each and every function of the FL-1000 including record, play, stop, rewind, fast forward, load counter, load memory, go to and many more. While the multi-machine control program will probably find principal use in commercial applications such as broadcast station or discotheques, even the owner of a home computer will appreciate index program facility that computer interface with FL-1000 provides. Under computer direction, the titles and locations of up to 15 selction per cassette side can be digitally recorded by the FL-1000 (subject, of course, to user change) on the first few seconds of each side of your cassette. In this way, by merely inserting a prgrammed cassette in the FL-1000 and punching a few buttons on the computer, you can read out its contents on a CRT and instruct the FL-1000 to play the selections you wish to hear in any order - with, for example, a "rewind" command at the end of your musical menu. The cassette deck was available with rack mountable black or silver front. There were two versions made, one with Dolby noise reduction and the other with High-Com noise reduction.

LUXMAN K-05 (Japan 1983)

The K-05 and K-04 are the cassette decks developed under the ultimate yet essential proposition to realize ultimate fidelity reproduction of original sound. Most of the decks said to sound good accompany a certain colouration, and in many cases such particular atmosphere delivered by colouration is preferred in actual listening. Dissatisfaction at such present status urged LUXMAN to design the top-notch deks K-05 and K-04. Tape travel mechanism is life of tape deck and determines whole sound quality. Good tape transport is a precondition for a good deck. With the K-05 and K-04, the tape trasnport mechanism has been reviewed from the very begining not by means of such temporizing measure to provide ostensible reduction of wow & flutter with Direct Drive motor but by means of newly designed robust "G.T. Transport" - Grand Trust Mechanism, which eventually brought about a dramatic improvement of total tape travel mechanism. Rustic, sturdy chassis made of thick die-cast zinc alloy is moulded and integrated with 2 pairs of capstan bearings, which assures perfect parallelism between the shafts of pinch-roller and capstan as well as their strict verticality to the chassis. 3-DD Motor Configuration, exclusive motor is arranged for each function of capstan drive, reel drive and head-assembly movement. High quality recording and playback are made possible only by an accurate 3-dimensional control on tape contact. Many manufacturers put great emphasis on the zimuth adjustment (to parallel both the head gaps for recording and playback and to set them perpendicular to tape) With the K-05 and K-04, all of these conditions are fully satisfied on the basis of ultra-precison R/P combination head. In the case of discrete 3-head system, the most critical point is in the azimuth control for the recording and playback heads. On the contrary, the R/P combination head has a big advantage that it can be fixed at the exact position in addition to its close positioning between the recording and playback head-gaps. To make the most of this merit, during the manufacturing process of the head, its azimuth is aligned in the strictest manner by the unit of microns. As commonly known, cassette tape has quality variations even in the same kind supplied under the same brand. To make most of its recording potential, an optimum value has to be selected for each bias current, tape-referenced recording level and equalization. In the case of the K-05 featuring automatic calibration system, the on-deck computer calibrates all of these 3 items individually then correlatively to locate the optimum points, confirming the result of each calibration step in the form of frequency response. Specifications K-05: 3 Head System - Record Sendust, Playback HIP (Hot Isostatic Press) Ferrite, Erase Dual-gap Sendust/Ferrite Junction. Wow & Flutter (JIS WRMS0 no more than 0.022%. Frequency response Metal 15 - 27.000 Hz, CrO2 15 - 22.000 Hz, Normal 15 - 22.000 Hz. Dimensions 460mm(W) x 361mm(D) x 158mm(H) Weight 11.5 kg. These two models were also available as ALPINE AL-85 and AL-90.

Nakamichi 1000 Tri-Tracer (Japan 1973)

According to the Nakamichi literature, the 1000 Tri-Tracer introduced in 1973 was the World First 3-head cassette deck. On the other hand the SONY TC-177SD was also the World First 3-head cassette deck, so it's up to you to decide which was "The First"... One thing is for sure, the 1000 Tri-Tracer was a technological tour de force. Tri-Tracer is the designation employed by Nakamichi Research Inc. to describe a new generation of cassette recorders. Three completely separate heads - erase, record, playback - afford off-the-tape monitoring, but more importantly, extend flat frequency response to beyond 20,000 Hz. The record head is of Hi-Mu ferrite with five micron gap to insure optimum tape saturation. The playback head has a special Hi-Mu hard permalloy core with titanium film laminations permitting a gap width of only 0.7 microns, thus extending high frequency response. Also, proper head azimuth alignment is crucial to extend high frequency response. Nakamichi provides a foolproof means for achieving precise alignment everytime. Two small LED's on the panel flash alternately when the head alignment is properly set. A 400 Hz test tone oscillator is incorporated as an aid in adjusting the azimuth of the recording head and as a reference tone for adjusting the record/playback level of different tape formulations. Tape is driven through a closed-loop, dual capstan system by a pulse-controlled D.C. servo motor which maintains consstant speed over a wide range of line voltage and frequency variations. Two large staggered flywheels smooth out any residual speed irregularities and insure extremely low wow and flutter. In addition to the standard mic inputs, a third blend mic input is provided. Each input has its own level control thus permitting professional quality mixing. The blend mic is particularly helpful in highlighting solo instruments and voices. Technical data: Wow and Flutter less than 0.1% (DIN 45507 Weighted Peak) | Frequency response: 35-20,000 Hz (+/-3 dB Chrome) | Dimensions 515x305x240 mm | Weight 17,7 kg. Optional accesory: RM10 wired remote control, flightcase. Original sale price: 2798 DM, 1100 USD.

Nakamichi DRAGON (Japan 1982)

The Nakamichi Dragon cassette deck was an exciting combination of innovative design, convenience features and outstanding performance. It was first introduced at $2,499 and it was targeted at serious high-end clientele until it was discontinued in 1993 after an 11-year production run.

Here are the highlights of the technologies used in the Nakamichi Dragon:

Because of Azimuth misalignment in tape reproduction high frequency response can be severely restricted. Nakamichi equipped this deck with a NAAC (Nakamichi Auto Azimuth Correction) system capable of extracting every bit of information stored on a cassette. NAAC automatically determines the actual recorded azimuth on the tape, aligns the playback head to it, and continues to track it throughout the program. It works on comercially recorded tapes, tapes borrowed from a friend and even if the tape has been recorded with improper azimuth. To exploit to the maximum tape performance, the Nakamichi Dragon was the world's first Dual-Capstan, Double-Direct-Drive, Auto-Reverse cassette deck. For speed stability this model uses two Super-Linear-Torque Quartz controlled direct drive capstan motors. For optimum recordings the Nakamichi Dragon is provided with separate sets of bias and record-level (sensitivity) controls for each channel and tape type. Self-contained test oscillators generates a 400 Hz signal for setting record level and a 15 kHz tone for adjusting bias. Technical specifications: 3+2 motor mechanism, Wow-and-Flutter is less than 0.019 WTD RMS, Frequency response 20 Hz-22,000 Hz (+/-3 dB, -20dB level) and Signal-to-Noise Ratio better than 72 dB with Dolby C and better than 66 dB with Dolby B.

PIONEER CT-A1 (Japan 1979)

Introduced in 1979 the PIONEER CT-A1 is one of the top recorders of all time featuring a Quartz Lock Direct Drive Closed Loop Dual Capstan mechanism, 3 Head System and Automatic Bias Level Equlizer Tuning System. The CT-A1 can get the best out of every tape, because it has a microcomputer that works like a lab technician, testing each tape and making precise recording adjustments. The AUTO - B.L.E. system automatically determines optimum bias/level/EQ, and stores this data for 9 different types of tape in its memory. Like a technician, AUTO - B.L.E. applies a test tone to the tape, then varies the bias current over 64 possible steps. It then scans the tape in playback to determine optimum bias with an accuracy of +/-0.2dB. It sets optimum level and EQ the same way. You get the most out of Metal, Normal, CrO2 and Fe-Cr tapes. And it takes less than 45 seconds.

To avoid pitch variations the CT-A1 uses a dual capstan mechanism. The "drive" capstan's speed is regulated by a quartz-phase lock loop system that detects any speed variations, and instantly corrects them. Speed drift is less than 0.02% and wow & flutter drops to an amazingly low 0.03% WRMS. The CT-A1 out-performs all other cassette decks, and rivals the best reel-to-reel. Signal to Noise with Dolby on is -70dB. Double Dolby allows you to record with Dolby, while monitoring it with Dolby. The 3-head system with Uni-Crystal Ferrite heads achieves a frequency response of 20Hz-20kHz, -20dB with metal tape. The fluorescent meter gives you 24-segment resolution for easy readings from -30dB to +8dB. Since PIONEER briefly acquired the Phase Linear company this model was available for a short time also as Phase Linear Model 7000 Series Two however these were silver models while the PIONEER models were all black.

PIONEER CT-F1250 (Japan 1979)

When PIONEER designed the new (1979) CT-F1250, they not only raised the performance standards of high quality decks, they also lowered the standard price. Instead ot the two heads found in most metal cabale tape decks (in 1979), the CT-F1250 has three. They are not simply modified for this advancement, the CT-F1250 has been specially designed for Metal tapes. The new "small window" erase head makes a big difference in making sure all metal tapes are wiped completely clean. The Uni-Crystal Ferrite recording and playback heads give a greater frequency response and better wear-resistance than the ordinary ferrite and Sendust alloy heads you'll find on most other tape decks. Instead of the single capstan transport, the CT-F1250 has a closed-loop dual capstan, similar to that found in the remarkable RT-909 open-reel deck. This system keeps the tape in perfect contact with the heads at all times. So you are assured of getting everything that's on the tape. Nothing more, nothing less. What's more, the CT-F1250 ha sa Quartz Locked Direct Drive capstan motor that senses the slightest deviation in speed and automatically corrects it to keep wow and flutter down to an unbelievable 0.03%. It's engineering innovations like these that make the CT-F1250 so remarkable. But equally remarkable are the features that make the CT-F1250 so remarkable. Like the specially engineered Tape Calibration System that lets you quickly set bias level, Dolby adjustment, and record equalization for the best possible signal-to-noise ratio, the lowest distortion, and the best high frequency response. The 24 segment Fluroscan meter that works on PIONEER's own microprocessor to give a more accurate reading of what you're listening to. It even has Peak, Peak Hold, and Average Buttons that let you record without fear of overload. In addition the PIONEER CT-F1250 has a digital brain with a memory that controls four differnt memory functions. Plus pitch control. Mic/line mixing. Independent left/right input/output controls. And more.

PIONEER Cassette Decks 1979

TANDBERG TCD 3004 (Norway 1980)

The Tandberg TCD 3004 was part of the Series 3000 components from 1980, quite simply a new standard in sound reproduction. The result was a system with no compromise, a Masterpiece of European Technology. The Tandberg TCD 3004 is a Professional quality cassette deck featuring microprocessor-controlled 4-motor, Dual Capstan tape drive mechanism with a 3 head configuration system. The deck can be optimised for all tapes on the market without the use of external meters, and without internal adjustments. For this purpose advanced electronics are used such as Dyneq head room expansion and Actilinear recording- and phase correction circuits. Comfort features include variable winding speed, cue/review with automatic tape speed reduction and separate left and right channel output level. Optional remote control was also available. Specification: Frequency range R/P (+/- 2 dB) 19-21000 Hz, Signal to noise (IEC A-curve) 70 dB, Speed variations WRMS 0.09%, Dimensions (cm): 43.5(W) x 22.9(H) x 14.9(D) Weight: 10.3 kg

TEAC A-860 (Japan 1976)

World First dbx Recorder. Advertised as having an expanded dynamic range of over 80dB the TEAC A-860 from 1976 was the first cassette deck in the world with built-in dbx II noise reduction system. Because background noise is reduced as much as 30dB, you can record at lower levels and still maintain the best possible signal-to-noise ratio. You get more headroom with less chance of tape saturation. The decks features and performance amply justify the company placing it in their "Esoteric Series" of components. The transport system in the 860, designed by computer technologists and engineers, was the most sophisticated cassette transport. Three motors and dual capstan drive provides the most precise, most accurate movement of tape possible. At its eart is a Phase Locked Loop DC servo capstan motor. Virtually imprevious to voltage fluctuations, temperature or load changes, it joins with two DC reel motors to provide an incredible 0.04% WRMS wow and flutter. A newly designed dual gap record and reproduce head for three-head function completes this sophisticated tape transport. The front panel of the 860 also includes inputs for four mc or line lvele signals that can be mixed down to stereo or mono with the built in 4x2 mixer with pans. The 860 will provide best possible frequency response characteristics no matter what brand of tape you use. Three position bias and equalization switches and front panel calibration controls give you total flexibility and control over the record and reproduce electronics. Positions 2 and 3 on the bias and EQ selectors are fixed for ferrichrome and high energy tapes, respectively. Position 1 is factory calibrated for CrO2 tape. But it allows you to adjust the 860's record and reproduce electronics to get exact compatibility with any type tape you are using. To optimize performance up to laboratory standards for any specific cassette you choose, there's a test jack where you can connect an external generator such as the TEAC TO-122.

Technics RS-9900US (Japan 1976)

Technics designed the RS-9900US in two components for one reason: To outperform all other cassette decks. (said the advert) That's why, unlike other cassette decks, the Technics RS-9900US is a "cassette system". The world's first separation of a cassette deck into independent transport and amplifier units. The result is cassette performance that truly epitomizes cassette technology. With features in the transport unit lika a closed loop, double-capstan, 3-motor drive. A 3-head system. Pitch control variable by 10%. And full IC logic control of all transport functions for absolute freedom and tape safety in switching modes. With circuit technology in the amplifier unit like a separate direct-coupled record amplifier. DC reproduce amplifier. Headphone amplifier. Four independent Dolby processors. Complete with separate calibration for record and playback. Continuously variable adjustment of bias and equalization. Head azimuth adjustment. And internal 400 Hz and 8 kHz test signals. Track System: 4-track, 2-channel record and playback. 3 Motors: 1 direct-drive DC brushless capstan motor. 2 DC coreless motors for reel table drive. 3 Heads: 2 HPF heads for record/playback. 1 Ferrite head for erase. Frequency response (CrO2): 25-20,000 Hz (+/- 3 dB). Wow and Flutter: 0.04% WRMS. S/N ratio (dolby): 67 dB. Original retail price: $1,500. On the Japanese market this model was sold as Technics RS-690U.

Technics line-up 1977

Technics RS-M95 (Japan 1979)

The RS-M95 was the last incarnation of the very successful series introduced with the RS-M85. Technics has designed the RS-M95 with three heads, each designed for its special role in the recording and playback process. For low distortion. the recordinq head gap is set at a precise 5 micron. The playback head's tiny 1 micron gap provides a new level of high range frequency response. Both heads feature a special version of Technics' own HPF material for the gap and core to raise the saturation flux density to the heights needed for high input metal tape recording. To bring out its full potential, metal tape needs about twice the recording bias current of normal tape, plus specialized (recording) equalization to deal with its high frequency characteristics. Therefore, the M95 not only has the conventional three positions on its tape selector, it also features a metal position especially for the new breed of metal particle tapes. On top of this, you get added flexibility by using independent fine bias adjustment knobs for each tape type. These can be set for +/-20% of the conventional bias current to deal with each and every brand of tape. And the built-in oscillator provides 400Hz/8kHz test-tone signals for use in this calibration.

Wow and flutter were the lowest ever in a Technics cassette deck thanks to the combination of the proven quartz phase-locked direct-drive capstan motor and a computer controlled tape tension control system in the reel drive section. As the major determinant of tape travel accuracy, the capstan motor features highly stable, constant rotation. The servo system is based on a quartz oscillator reference frequency and is phase-locked with Technics' famous planar-opposed DC brushless, coreless, slotless, direcl-drive motor. To bring out the full potential of the quartz DD drive system and ensure optimum head contact with the 3-head configuration, Technics has provided the M95 with a remarkable tape tension control circuit. Based on detection of take-up reel rotations and calculation of the diameter of the tape wound on the reel, a microprocessor regulate the reel motor torque to maintain constant tape tension. Extremely high accuracy is achieved because reel rotation detection itself is carried out by counting the number of reel table pulses within a reference period set by the quartz oscillator frequency. A tension arm on the supply reel side provides the back tension needed.

Technics has led the field in employing new FL meters as a more accurate and convenient alternative to needle type meters. Now in the M95 a newly developed professional quality FL meter with an extended indication range of -42dB ~ +8dB (30 segments: -6dB ~ +4dB are in 1dB steps; each of the other segments cover 2dB steps; for easier legibility, 0dB and above is a brighter red) is used.

Timer start selector, record muting switch and feather-touch controls adds to the list of functions of this Professional Series deck while EIA rack mounting makes this deck a perfect match for the Professional 10000 Series audio components.

BRAUN C 3 (Germany 1984)

The Braun C 3 cassette deck was introduced in 1984 and the same year the Atelier Hi-Fi system it was part of received the prestigious "iF Design Award 1984" in the product design category. The design was the work of Peter Hartwein under the supervision of Dieter Rams. The housings of the Braun Atelier components are flat with uniform dimensions (44.5 cm wide and 7 cm high) and on the back of the devices, hinged metal panels cover the cables and plug contacts (the contact assignment is printed on the inside of the flap). All devices were produced in black and "crystal gray" (... white) and are also part of the Museum of Modern Art collection.

The Braun C 3 is a 3-Head deck with a 2-Motor mechanism mounted inside of a tray loading mechanism. It's a single capstan mechanism with Quartz-PLL Direct Drive motor operating at both 4.75 cm/s and 9.5 cm/s speed. The heads are of M&X type while for noise reduction it features both Dolby B and C circuits. Recording level can be adjusted with a rotary encoder with the help of a LED peak level meter while recordings can be made on all tape types: Normal, FeCr, Crome and Metal. Technical data:
Wow and Flutter: 0.03% (WRMS 4.75 cm/s) and 0.025% (WRMS 9.5 cm/s)
Signal to Noise ratio:
74 dB (Normal, Dolby-C, 4.75 cm/s) and 78 dB (Normal, Dolby-C, 9.5 cm/s)
76 dB (Chrome, Dolby-C, 4.75 cm/s) and 78 dB (Chrome, Dolby-C, 9.5 cm/s)
76 dB (Metal, Dolby-C, 4.75 cm/s) and (only) 72 dB (Metal, Dolby-C, 9.5 cm/s)
Frequency response:
20Hz ... 18/19/19/19kHz (Normal, Chrome, FeCr, Metal 4.75 cm/s)
20Hz ... 22kHz (Normal, Chrome, FeCr, Metal 9.5 cm/s)
Dimensions: 445 x 70 x 360 mm
Weight: 8.9 kg

This cassette deck can be found under the a/d/s brand name as well. These models were sold by a/d/s as Braun's USA distributor/partner. TDK has also used a BRAUN cassette deck in one of their TV comercials as seen here.

AKAI GX-R99 and R-88 (Japan 1985)

AKAI GX-R99 and GX-R88. Two Super Machines that redifine the state of the recording art. Four features mark these decks as significantly new and different (in 1985): (1) Super GX 3-Head Quick Reverse; (2) Closed Loop Double Capstan by Twin Direct Drive; (3) CRLP (Computer Recording Level Processing - GX-R99 only); and (4) High Tuned DC Amplifier Circuitry. Akai's unique Super GX head (Rotary 3-Head design) is made of crystal ferrite in extra hard, mirror polished glass. The superiority of the Super GX head is overwhelming in the critical high frequencies, the playback output level being as much as 7.8dB better than sendust at 10kHz. The finish is so smooth that practically no friction noise is generated and dust particles cannot easily adhere. Both the GX-R99 and GX-R88 are three-head decks with separate Super GX heads using a 4-micron gap for high levl recording and a 1-micron gap for high frequency playback performance. The double capstan system is driven by one DD motor for forward, and another DD motor for reverse tape transport. Each DD motor has a heavy flywheel to smooth irregularities. Brushless, corelss and slotless FG servo motor construction assures excellent speed accuracy. CRLP (Computer Recording Level Processing - GX-R99 only) handles everything that contributes to the sound quality of a recorded tape. First "Quick Auto Tuning" sets the optimum bias and recording equalization for the tape to be used. Second it detects MOL (maximum output level). Third it analyzes the energy spectrum of the input signal, compares it with MOL and sets recording level to bring out the tape's full potential while avoiding overload distortion. Akai's 3-way 2-color 24-segment fluorescent (FL) display indicates recording level in VU and peak modes, it shows the enrgy spectrum of the music signal, and it includes a 3-way 4-digit electronic tape counter (elapsed time, remaining time, and normal tape counter), auto monitor position, IPLS operation, Dolby NR, MPX filter, reverse mode, and more.

JVC DD-V9 (Japan 1983)

Superior performance specifications, Special convenience features, Superb sound quality, this is the JVC DD-V9 (Victor DD-V9 in Japan) 3 Head Auto-Reverse cassette deck introduced in 1983. The JVC DD-V9 is the ultimate in convenience and precision - convenience because it records and plays both sides of a tape automatically, and precision because it has three heads. JVC's auto-reverse swivel head features a jewel-lock system (ruby-tipped azimuth adjustment screw) that makes possible to adjust the head alignment for each path of tape travel independently. The three-head design consists of a SA (Sen-Alloy) recording head and a Metaperm playback head, hyperbolically curved for extended bass. During forward play and record, the DD-V9 use a capstan directly driven by compact Pulse Servo motors designed and built by JVC at their own plant. The Pulse Servo motor used incorporates a significant amount of technology originally developped for JVC turntables. Technically the motor can be described as a "4-phase, 8-pole, brushless & coreless FG direct-drive motor" The JVC computerized B.E.S.T. (Bias, Equalization, Sensitivity of Tape) tuning system analyzes the electromagnetic properties of any tape and adjusts the deck's electronics for a perfect match - all in about 15 seconds. The fluorescent display will show you remaining tape time in minutes and seconds and various Music Scan modes. The two-colour fluorescent level meters are accurate, easy to read and highly responsive. Each of the bars for the left and right channels consists of 18 segments, and in turn each segment is formed of 20 matrix dots. Less frequently used controls are located on a slide-in/out panel for easier operation and cleaner lines while the optional R-70E wired remote control adds to the list of comfort features.

AIWA AD-F990 (Japan 1983)

The fabulous ADF990 is AIWA's most advanced cassette deck (1983), with features that not only ensure simple, foolproof operation, but also unmatched fidelity. Unquestionably the most suprelative 3-head deck in its class (1983), the AD-F990 offers advanced engineering for superior total performance. The AD-F990 features Amorphous combination head for superior performance and durability. It also features Dolby HX Professional, not a noise reduction, but an entirely new way of processing signals, this sophisticated circuitry functions during all recordings but rquires no processing during playback. The DATA (Digital Automatic Tape Adaptation) system is a sophisticated microcomputerized circuit that automatically "tests" each tape prior to recording and adjusts the deck's bias, equalization and sensitivity to optimum levels, in only 16 seconds. A series of automated features are present such as: Auto Noise Reduction Detector, Auto Recording Level Control, Auto Tape-Source Selector (all these are manually selectable as well) Other technological features include a Auto De-magnetizing system, Micro-grain dual capstan transport, all-mode tape remaining time display, fluorescent multi-function display and feather-touch electronic volume control with position indicator.

AKAI GX-F91 (Japan 1983)

No knobs. No keys. And no clutter. AKAI GX-F91, a polite presetation of just the basics. But press the "door" button and, almost by magic, the faceplate automatically lowers (motor powered) to reveal the main control panel. Now, insert a cassette. Two microcumputers take charge, first automatically setting the bias. Then, executing a 64-step "tape-tuning" analysis that makes sure the GX-F91 gets the maximum from any tape. For superior frequency response and dynamic range, the GX-F91 is also endowed with a 3-head design, AKAI Super GX Heads and Dolby B & C systems. Plus operational features like auto-fade, auto-mute and auto-record-cancel that virtually guarantee professional quality recordings. AKAI's original Auto Monitor system is a "Can't Miss" feature that automatically goes into source monitoring during REC standby and into off-the-tape monitoring during REC, to eliminate monitor switch errors. Tape drive has been given added precision with Quartz-lock PLL servo DD motor, adding stability and accuracy so essential to tape travel.The Q&Q (Quick & Quiet) mechanism incorporated into the GX-F91/71/51/31 models provides direct lead-in and power eject for easier operation + ....Many More Akai Features.

GRUNDIG CF 5500 (Germany 1980)

This was the first 3 head cassette deck from Germany's largest consumer electronic manufacturer, GRUNDIG, and the second cassette deck "Made in Germany" with 3-head design, after the Thorens PC 650. It's a complex machine built around a 2 motor mechanism with one Quartz controlled capstan and 3 Ferrite heads. For best results with any tape the GRUNDIG CF 5500 is equipped with two test tones (10kHZ, 40Hz) with separate adjustments for left and right channel. Dolby circuits are also double (recording and playback). The CF 5500 can handle Normal, FeCr and CrO2 tapes. There is separate output level control and a dedicated headphone amplifier with left and right channel level adjustments. The cassette compartiment is open type with full logic controlled mechanism, digital tape counter and LED recording level meters. The new Metal tape formulation was still relatively new on the market so there was a parallel model, called CF 5500-2, that could handle Fe-Cr, CrO2 and Metal tapes. They were both avalable with silver or brown front panel. The only distinctive visual difference between the CF 5500 and CF 5500-2 was the square LED row on the CF 5500-2 opposed to the round LED's used by the CF 5500.

HITACHI (Lo-D) D-5500 (Japan 1979)

The HITACHI D-5500 was introduced in 1979 and it was one of those Super decks that was competing for supremacy. It was a sophisticated 2 motor deck featuring Hitachi's own Unitorque Direct Drive motor (0.028% WRMS wow and flutter) and their own "Close Gap" R&P heads in a 3 head configuration. The highlight of this deck was the ATRS (Automatic Tape Response System). The ATRS brain is a sophisticated microcomputer that's built into the Hitachi D-5500 Cassette Deck. Because there were hundreds of different tapes on the market, ATRS was designed to match bias and EQ settings to the precise characteristics of each one you use. Press the Test button while in record and in 20 seconds ATRS carries out six calibration functions. It also has three individual memories for the test results of the three tapes you use most frequently. For the ultimate in user comfort interface the Hitachi D-5500 features a full IC logic detachable control block that doubles as a wireless infrared remote unit. Soon after the release of the D-5500 it was introduced the D-5500M that added Metal tape compatibility. Both models were available in silver and black, the worldwide model was sold as HITACHI while the Japan domestic model was sold as Lo-D.

JVC DD-99 (Japan 1982)

When introduced in 1982 the JVC (Victor in Japan) DD-99 promised open reel sound quality with cassette convenience. To achieve this the DD-99 combines such high-technology JVC innovations as a Quartz-Lock, direct-drive Pulse Servo Motor with two new twists: a Double Servo and Multiplied Bridge Drive. Add them to a three-head design using an X-cut SA combination Rec/Play head and the B.E.S.T. tuning system, and you get peerless performance. The Quartz-Lock, direct-drive Pulse Servo Motor improves speed accuracy. Using a low-rpm direct-drive motor, the highly accurate tape transport of the DD-99 is simplicity itself. The coreless design completely eliminates jerky motion called "cogging" while speed accuracy is provided by means of a quartz-referred Double-Servo circuit, together with new "Multiplied Bridge Drive". The B.E.S.T. tuning system automatically compensates for any differences in Bias, Equalization and Sensitivity for flat response (from 40 to 12,500Hz +/-1dB) from any tape. It's done by means of a built-in computer and takes only about 30 seconds. Three heads - JVC's exclusive X-cut SA combination Rec/Play head (two heads in one housing), and two-gap SA Erase head - provide two very important benefits. One, it allows you to monitor your recordings as they're being made, and two, it means every head is provided with an optimum gap width - no compromises. The clearly discernible X-shaped core of the playback head eliminates the so-called contour effect, assuring smoother overall response. The two motor full-logic control tape transport features a tension stabilizing loop. The supply reel is connected to the takeup reel by means of a belt which supplies the proper hold-back tension throughout play or recording. It's an electrical system, no mechanical friction is emplyed to create tension. Therefore, tension is always uniform, and stability will not deteriorate with the passage of time.

KENWOOD KX-1100G (Japan 1985)

With the introduction of the KENWOOD KX-880, a very successfull line of cassette decks was born. In 1985 as a further development of the 2 head KX-880, KENWOOD introduced the KX-1100G. This is a 3-Head Dual-Capstan cassette deck with Dolby B and C noise reduction circuits, built around a very good Direct Drive 3-motor mechanism sourced from Sankyo. A so called Super Twin Loop Linear Exciter recording head amplifier was used together with a low-impedance large-core Amorphous Alloy recording head. The closed-loop dual capstan system features a so called Magnetic Thrust Absorber while the whole deck features a high-rigidity structure. Best recordings can be achieved with the use of bias and recording level calibration with oscillators and separate L/R controls. Recording levels are controlled by a Master and L/R preset level controls while the recording level is displayed on a vertical fluorescent peak-hold meter. In 1988 was introduced the KX-1100HX model with added Dolby HX-Pro circuit.

Nakamichi CR-7 (Japan 1986)

Nakamichi was at the vanguard of high-class cassette decks, providing the highest possible performance quality from every cassette while at the same time simplifying deck operation to make that performance available to everyone. The Nakamichi CR-7 and CR-5 Discrete-Head Cassette Decks embody both the vital aspects of this trend, offering fully discrete three-head designs, direct-drive closed-loop dual-capstan transports, low-distortion/low noise amplifiers and a host of other features. The Nakamichi CR-7 features the unique Nakamichi Auto Calibration System and the Playback-Head Azimuth Fine Tuning Control. While both decks offer superb value and can easily be integrated with the components of even the finest audio system in any home, they have been specifically designed to match the Nakamichi Home Audio Electronics Systems "7" and "5", for outstanding performance with the added convenience of total System Remote Control. Other features included are:real-time tape counter for C-90/60/46 tape - even if the tape is not fully wound to its begining when mounted, Dual-Speed Master Fader Control with Auto Fade function (tape end auto fade out), Wireless Remote Control (CR-7), Output Level Control, Headphone Terminal. These cassette deck were built between 1986-1993 in three versions CR-70/CR-7A/CR-7E.

Nakamichi System 7 and 5

PIONEER CT-A9 (1983)

The Pioneer CT-A9 was introduced in september 1983 and it's production continued up to 1986 with the "D" version. With this deck Pioneer introduced it's own designed mechanism, the Z Mechanism (quickly renamed as "Reference Master Mechanism"). This is a staggered-resonance closed-loop dual-capstan drive for uniform tape tension and smooth tape running that eliminates dropouts, modulation noise and level variations. The capstan motor is a Qurtz-PLL servo direct-drive DC motor that can achieve an ultra-low wow and flutter of 0.018% (WRMS). The Ribbon Sendust recording and playback heads are mounted on a pressure-diecast zinc support of extremely low tolerance. The mechanism is controlled by a 4-bit micro-computer. For optimum results with any tape the CT-A9 features Pioneer's own auto-tape calibration system, the AUTO-BLE. With a large 35 segment FL display the Pioneer CT-A9 was available in both silver and black versions. The black version usually was presented with vinyl-covered side panels in simulated rosewood grain.

REVOX B710 (Swiss 1981)

The world had to wait patiently for Studer Revox to develop a cassette recorder but once it was finally launched on the market, the Revox B710 very soon became the market leader. The first Revox cassette recorder was manufactured between 1981 and 1984 and there were two versions of it, MK I and MK II. At the core of the development was a 4 motor drive, that lived up to the high professional demands of the company. The drive worked without belt, friction clutches and mechanical brakes. Instead it had two quartz-synchronised direct drive capstan motors and two take-up motors with optical tacho-generators that also took care of the braking. The complete movement process was controlled by a microprocessor. This resulted in a previously unknown protection for the delicate cassette tape while at the same time achieving record-breaking spooling speeds. This precision drive was later to be built into the professional cassette machines Studer B710 and B710 II. The amplifier electronics had four Dolby™ B processors. With the MK II version, you could even switch between Dolby™ B and C. That together with the professional 3 head technology (sendust-ferrite), resulted in a perfectly "dolbyised" read-after-write. Two LED chains, each with 24 LEDs was ´built in to give optimal output control. The electronic press button control and an electronic counter with timer function ticked all the boxes when it came to operating the device. In 1981, the Revox B170 was voted "Most outstanding new development of the year" at the Consumer Electronics Show in Los Angeles. Three years later at the same show in 1984, it was again voted "Most outstanding new development of the year in the area of magnetic sound and studio technology".

TANDBERG TCD 900 Series (Norway 1985)

With the introduction of the TCD 900 series, Tandberg broke the barrier of professional cassette use. In one machine are combined superior sound capability, superior mechanical and electronic quality, control flexibility based on an 8 bit micro processor with 32 K of EPROM memory. Introduced in 1985 the TCD 910 was a Master Cassette Recorder while the TCD 911 was a Playback Cassette Deck. Both deck feature Direct load cassette compartiment with electro mechanical locking of the cassette and four servo control motors - one each iron coreless spooling, one DC servo frequency generator capstan drive and one DC servo pinch roller/head bridge actuation. Both are dual capstan closed loop drive with direct opto-electronic sensing of hub spindle rotation for precise real time counter accuracy. The TCD 910 features recording head azimuth adjustment while the TCD 911 features playback head adjustment (both external and manual adjustments) The incorporated DYNEQ, Tandberg's patended headroom extension system and ACTILINEAR II (a transconductance amplifier which takes the record and bias signals as pure voltage and converts them to pure current) contribute to superior sound performance. The built-in tape calibration system (TCD 910) allows optimum performance with all type I, II or IV tapes on the market. For studio use these decks feature electronically balanced XLR input/output connectors, RS 232 data interface for program automation and 19 inch rack mount ears. Only 400 of these units were built.

TEAC Z Series (Japan 1983)

The TEAC Z-7000, Z-6000 and Z-5000 are Masterpieces in cassette reproduction technology introduced in 1985. Here are some higlights of the incorporated technology. For high transport performance the Z-Series transports are all constructed on a solid diecast chassis - highly resistant to vibration, resonance and warpage. In the Z-7000 and Z-6000, three independent high precision motors are built onto this chassis: an FG servo brushless direct drive capstan motor and two coreless direct drive reel motors operating in a dual capstan closed loop system. The Z-5000 achives similarly high performance with a two-motor transport consisting of one direct-drive motor driving a single capstan, and an independent DC motor powering the reels. In the Z-7000 and Z-6000 the playback head is a top-precision ferrite design, while the recording head is formed of sendust. The Z-5000 offers essentially the same three-head system, but with TEAC original hard permalloy formulation. Perfect record bias, level and EQ are obtained by the Z-7000 with an automatic calibration system while the Z-6000 and Z-5000 feature a precise manual calibration system. All decks feature Dolby B, C and dbx noise reduction circuits. Real-time tape counter, 30-sement fluorescent peak level meters (14 segments in the Z-5000) and a series of convenience and sound features are also included for tape enthousiasts.

Technics RS-M280 (Japan 1981)

The Ultimate Expression of Cassette Deck Technology...Technics RS-M280. The RS-M280's innovative 3-motor transport system begins with the famous Technics planar-opposed direct drive motor. This brushless, coreless, slotless DC motor is renowned for accuracy, durability and compact size. Using a quartz oscillator as reference, the motor's integral FG mechanism is capable of extremely precise speed control. The result? The lowest wow and flutter ever achieved in (1981) a Technics cassette deck - a mere 0.024% (WRMS) This Direct Drive motor is the take-up capstan while the supply capstan is belt drive. For the RS-M280, Technics has constructed the take-up capstan to be slightly wider than the supply capstan - this difference is then compensated for by a corresponding difference in flywheel size. In conclusion with this system speed control is consistently accurate, and modulation noise is insignificant. The 3-Motor System of the RS-M280 uses a different approach for motor tasks. There is one motor for high-speed winding (fast forward and rewind) and another motor solely for driving the take-up reel during playback (or recording) while the Direct Drive motor is used for the take-up capstan. For the 3-Head Configuration Technics uses SX type (Sendust Extra) heads. It is manufactured by a special method that minimizes eddy currents to optimize high frequency response. SX exhibits the very high saturation flux density needed for metal tape recording. But it also provides superb response with all other tape formulations. With the RS-M280, it's easy to make the appropiate bias adjustment. To test tape response, the RS-M280 is equipped with a test-tone oscillator providing 400 Hz and 8 kHz frequencies.

YAMAHA K-2000/K-1000 (Japan 1982)

The K-2000 and K-1000 Natural Sound Cassette decks from Yamaha were introduced in 1982. They are thoroughly eqipped with uncomprimising technology, a combination of "spare-no-cost" engineering and innovative design. Both these decks are highly automated - thanks to built-in computers - providing an extensive range of features that are simple to use. Briefly, the K-2000 and K-1000 incorporate a speially designed two-motor, direct drive transport mechanism for smoth, silent precision, and three-head (sendust) reproduction system. Both decks employ a new Yamaha breakthrough - Linear Electromagnetic Transduction. This new system extends high signal transmission linearity to the actual point where a signal is transferred from the head to the tape - a previously uncontrollable area in the recording chain. Then there are double dbx and Dolby B noise reduction systems in the K-2000 and single dbx and Dolby B in the K-1000, ORBiT (Optimum Record Bias Tuning) for automatic, precise bias level setting, a 4-digit linear real-time conter, expanded-range LED level metering with peak hold, a number of auto/memory functions and more. The K-2000 additionally features a unique "monitoring erase" function and a broad-range pitch control. The Monitoring Erase function of the YAMAHA K-2000 is a highly original Yamaha feature that you won't find on any other cassette deck. While most modern cassette decks let you insert silences in a program being recorded by pressing a REC MUTE button, the K-2000 actually lets you selctively erase portions of a program while monitoring in the playback mode. This not only gives you much greater editing flexibility than provided by the REC MUTE function alone, but it allows you to record a program it its entirety and then edit later at your leisure - a particularly useful feature for editing timer-activated recordings made when you are away or asleep. Further accesiores include a wired remote and EIA rack mount adaptors.